TUESDAY, MARCH 25, 2008
Maraden's Statement
At the end of last week, former Artistic Director Marti Maraden issued a statement to the Globe and Mail, which we received in pieces. Here is the original text, edited by the newspaper:
"I have loved the Stratford Festival since I first set foot on its stages in 1974. As both actor and director I have received from it gifts beyond measure. When I was asked to become one of three new artistic directors in a shared leadership of the Festival I was utterly thrilled. This was not only an opportunity for me to give back to a theatre which had given so much to me, but a chance to be part of a great adventure. Though an earlier attempt at a shared leadership had foundered, having never been given a chance to prove itself, I have always believed this model of governance could work very well, and, despite recent events, I still do.
"I wish the Stratford Shakespeare Festival all success and I wish it no harm, and precisely because of this my actions and decisions of the past few months have been consistently tempered by my concerns for its well-being. However, comments in the press on March 15, 16, and as recently as [March 22] by Antoni Cimolino and Des McAnuff have left me compelled to refute misleading statements.
"Impressions have been created that Don Shipley and I resigned in a sudden and impulsive manner.
"This is the history of my resignation.
"On December 3, 2007, I told Antoni Cimolino that I had great difficulty continuing as part of the Festival's leadership because of the lack of protocol for decision-making, and because of what was becoming his own ever-increasing involvement in artistic decision-making, including the virtually unilateral imposition of his agenda. Over the past months I have made it clear that I did not wish to harm the Festival, that I was determined to act with as much integrity as possible and that I would leave my position in a manner that would cause the festival as little disruption as possible. I repeatedly suggested that we delay the announcement of my departure until late summer and that I finish my year out as Artistic Director. Amicable discussions were held as recently as March 3 with the three Artistic Directors and Antoni confirming everyone's wish for a graceful transition.
"Don Shipley, who had been troubled for many months but who clearly had more optimism than I that the partnership might succeed, found it necessary to resign. I will not presume to speak for him but I will say that I understand and sympathize with his motives. At this juncture, still hoping that the announcement of our departures could be delayed for the Company's sake, I volunteered that as both of us were going to resign, it might be better for all concerned to make one announcement rather than staggered ones. I certainly wasn't expecting or wishing for an abrupt or immediate announcement. In discussions with Antoni no precise timing had been discussed and I continued to hope for as long a delay as possible.
"It would appear from statements in the press that Antoni was the only one to make a last ditch effort to salvage the partnership. In fact Don Shipley, desperate to find a resolution, created talking points to urge a solution. He persuaded me to agree that if certain fundamental conditions could be agreed upon that I might reconsider my decision to leave. I will confess that I wasn't optimistic, but agreed it was worth a sincere effort.
"On Wednesday, March 12, Antoni visited me briefly during a break from my rehearsal and asked me to speak to him that evening after I had finished work as no resolution had been achieved. After my rehearsal ended I went to his office. Antoni told me that Don's and my resignation would be announced the next day, and that settlement papers had already been drawn up. I was very surprised.
"Don Shipley and I never marched into Antoni's office offering our resignations abruptly and in tandem, though that is the impression created in the press I have previously quoted.
The reason I haven't spoken before is that the settlement agreement given to me (which I have declined to sign) contains a clause limiting what can be said by either me or the Company to anyone, to the media, or to members or former members of the Board. I was prepared to sign the settlement for the sake of the Festival, its staff and its artists and in the hope and expectation that any statement made on behalf of the Festival re our departure would be fair to all parties. However, as Antoni Cimolino and Des McAnuff have spoken forth beyond these strictures and have left the public with a very misleading impression of the manner of my departure, I feel I must speak. An attempt was made to persuade me to issue a joint statement with the Festival. I declined. I need my own voice. To date, so far as I know, only Antoni, Des and the Board Chair, Richard Rooney, have had been heard.
"My original Stratford contract states that 'Maraden will report to the General Director of the Stratford Festival, along with her partners, and will have the creative responsibilities and authority of an artistic director of a not-for-profit theatre.' Though Antoni clearly held ultimate authority, he repeatedly told us that we three Artistic Directors were to make decisions regarding programming and hiring of artists and that he was there to let us focus on artistic matters while he looked after the Festival as a whole and sought the means to make our dreams and vision a reality. I would never have agreed to become part of this leadership if this had not been the understanding. However, the General Director's increasing involvement in artistic decision-making on large and small matters, especially as the 2009 programming began, and as I indicated earlier, a virtual unilateral imposition of the General Director's agenda made it impossible for me to continue. I felt more and more like an artistic associate.
"I cannot be an Artistic Director in name only. That would betray the Stratford Company's, the Board's and our constituents' belief and conception of the way in which its artistic leadership is functioning. Either a leadership is shared or it isn't.
"I don't think it can be disputed that I have l have lived up to the 'responsibilities that my contract imposes' with integrity. In my designate year I worked for ten months instead of the six months for which I was contracted. Though compensation for the additional time was modest, I didn't care. I loved the theatre and I wanted it to thrive.
"I have done my best to express my fundamental reasons for resigning and the timing and manner of doing so and hope this puts the matter to rest.
"The focus now rightly belongs to the actors, directors, designers, artisans, crews and staff of a great theatre in the midst of creating a new season. My focus belongs in the rehearsal hall and on the stages with them
Wednesday, April 16, 2008
Thursday, April 10, 2008
2008 THEATRE PREVIEW
Thoughts on the Stratford Shakespeare Festival/Shaw Festival 2008
By David Grapes – Arts Journalist
April, 2008
Those of you who are passionate about quality theatre here in the U.S. should consider a trip North across the Canadian border into Ontario and spend some serious time exploring North America’s two largest theatre festivals – The Stratford Shakespeare Festival and The Shaw Festival. While the American dollar is near an all time low, the entertainment value when compared to Broadway or London is high. And if you search the web, there are still some excellent airfare deals into Toronto’s Lester B. Pearson airport for about $450.00 to $600.00 from most major US airports. Rental cars are readily available at the Toronto airport. (Try Hotwire.com for the best airport rental rates) Driving time from the airport to either of the two festivals is less than two hours on four lane highways.
The Stratford Festival
Located in the bucolic hills of Southern Ontario in the working class town of Stratford, The Stratford Festival has grown from its humble beginnings in 1953 (two Shakespearean plays produced in a tent) to one of the largest and most respected theatre festivals in the world. Once in financial peril during the late 1980’s, the theatre has enjoyed a remarkable rebound both artistically and financially under the capable stewardship of Richard Monette (who officially retired last year) and Executive Director Antoni Cimolino. Now nearing the completion of a 50 million dollar capital and endowment drive, long time patrons have enjoyed improvements to all four of the Festival’s theatre venues, an upgrade in electronic services, and enhanced production quality on stage. Exciting indeed was the addition of a fourth stage known as the Studio Theatre located above the Avon Theatre. This small flexible space, which opened three years ago, is now home to new work by Canadian playwrights, workshops, and other more experimental productions. However, the Studio Theatre only seats 260 patrons which means that many many theatre goers will be shut out of tickets for Brian Dennehy’s two one act plays unless they purchase their tickets months in advance.
While the spring of 2008 got off to inauspicious start with the resignations of two out of the three artistic triumvirate Don Shipley and Marti Maraden, the lone artistic survivor Des McAnuff seems to be taking the bull by the horns and forging ahead despite all of the negative press.
Variety has always been a hallmark of the Stratford Festival, where works by Shakespeare, Marlowe, Moliere and Ibsen share the stage with Broadway musicals and the comedies of Noel Coward and although Shakespeare will dominate the large Festival Stage and American musicals the Avon stage the 2008 season remains eclectic and engaging. Before their departure Maraden, Shipley along with McAnuff programmed a stunning and visionary season for 2008. We have more Shakespeare than we have seen in years complimented by Shaw, Lope de Vega, Euripides, Beckett, and O’Neil. And while Shipley (who was to direct Dennehy in Krapp’s Last Tape and Hughie) has jumped ship, Maraden (a fine director) remains long enough to stage All’s Well That Ends Well and The Trojan Women. McAnuff, who has been traversing the world staging permutations of the hit Broadway musical Jersey Boys, will somehow find time to not only pick up the artistic pieces but also stage Romeo and Juliet and Caesar and Cleopatra (with Christopher Plummer as perhaps the oldest Caesar on record). Having seen a number of McAnuff’s directorial work at LaJolla and on Broadway, there is no question that he can have flashes of brilliance. However, he was never known in California as a believer in the importance of a true acting ensemble and his hiring of Americans to play pivotal roles like Juliet has already rankled many of the old guard in the acting company. It will be interesting to see if he pursues this course for 2009, or returns to a more tradition approach to hiring the company. Whatever happens, I certainly wish him well. Stratford needs a strong focused artistic leader and the world needs a theatre like Stratford. You can’t run the largest theatre festival in the world from a cell phone or a seat on an airplane.
While the US dollar has suffered this year against the Canadian dollar, this trip remains an outstanding value. With Broadway prices soaring to $100-$200 a ticket, it is hard to imagine that you could get more “bang for your entertainment buck” anywhere in the world than in Ontario, Canada.
SEASON AT A GLANCE
Festival Theatre
Romeo and Juliet – May 26 to November 8
Hamlet – May 27 to October 26
The Taming of the Shrew - May 31 to October 25
All’s Well That Ends Well – June 27 to August 23
Caesar and Cleopatra – August 17 to November 9
Avon Theatre
The Music Man – May 28 to November 1
Cabaret – May 29 to October 25
Emilia Galotti – November 6 to November 9
Tom Patterson Theatre
The Trojan Women – May 30 to October 5
Love’s Labour’s Lost – May 31 to October 4
Fuente Ovejuna – June 27 to October 4
There Reigns Love – July 13 to August 3
Studio Theatre
Krapp’s Last Tape and Hughie – June 28 to August 31
Palmer Park – August 16 to September 21
Moby Dick – August 17 to October 18
Festival Pavilion
Shakespeare’s Universe – July 25 to September 28
David’s recommendations for the 2008 season
Hamlet (starring long time Shaw Festival company member Ben Carlson)
All’s Well That Ends Well (directed by Maraden and starring American theatre icon Brian Dennehy)
The Trojan Woman (starring Martha Henry))
Love’s Labour’s Lost (directed by Richard Monette subbing for the ailing Michael Langham)
Fuente Overjuna (starring Jonathon Goad, Severn Thompson and Scott Wentworth)
ALSO OF INTEREST AT STRATFORD
Family Series Events
Stageside Chats
Festival Tours
Celebrated Writers Series
Night Music – Special concerts each Monday evening June to August in the Festival Theatre
A wide assortment of classes, workshops, special events.
PLAY INFORMATION
www.stratfordfestival.ca
TICKET PRICES
Range from $22.00 to $109.00 (Canadian $)
Rush seats are available day of show
There are also excellent student discounts and group rates available
BOX OFFICE
1-800-567-1600
ACCOMODATIONS
1-800-567-1600
I recommend the Swan Motel
519-271-6376
www.swanmotel.ca
The Shaw Festival
Located in historic Niagara on the Lake (30 miles North of Buffalo 120 Miles South of Toronto) along the beautiful Lake Ontario shoreline The Shaw Festival is the only theatre in the world that specializes exclusively in plays by George Bernard Shaw and his contemporaries. During the last two decades, under the artful and highly creative leadership of director/actor Christopher Newton, the Shaw not only earned a reputation for innovative programming, stunning visuals, but also witnessed Newton assemble one of the finest acting ensembles on the planet.
And while Stratford struggles to find who has a hold of the wheel of the artistic ship at Shaw, Artistic Director Jackie Maxwell (now in her fourth season as Artistic Director) continues to produce excellent work as she explore the Festival’s expanded artistic mandate including newer musicals and American classics.
While the acting ensemble remains strong, Maxwell did lose several of her best actors to Stratford this season. Certainly as issue that will need to be addressed, if she wishes to maintain the festival’s reputation for true ensemble performances. You can’t afford to lose actors like Jim Mezon, Ben Carlson, Nora McLellan and Kelli Fox. Fortunately, at least Mezon is set return to direct An Inspector Calls now that Neil Munro has been taken ill.
Maxwell, who was only partially successful with her staging of Shaw’s Saint Joan last year will tackle Shaw’s more accessible social commentary Mrs. Warren’s Profession and the first Canadian production of Githa (Rutherford and Son) Sowery’s play The Stepmother.
SEASON AT A GLANCE
Festival Theatre
An Inspector Calls – April 17 to November
Wonderful Town – April 1to October 5
Mrs. Warren’s Profession – July 6 to November 1
Follies: The Concert – August 29, September 12 and27, October 4
Royal George Theatre
Getting Married – April 11 to November 1
The Little Foxes – May 3 to November 1
After the Dance – June 25 to October 5
The President – June 7 to October 4 (lunchtime)
Court House Theatre
The Stepmother ¬– April 29 to October 4
A Little Night Music – June 1 to October 4
Belle Moral – July 12 to October 5
David’s recommendations for the 2007 season
An Inspector Calls (Directed by Jim Mezon and starring Benedict Campbell)
Mrs. Warren’s Profession and The Stepmother (Directed by Jackie Maxwell)
Getting Married (Directed by Joseph Ziegler and starring Peter Krantz)
The Little Foxes (Featuring a great ensemble cast)
ALSO OF INTEREST AT OR NEAR THE SHAW FESTIVAL
Bell Canadian Reader’s Series
Niagara Falls
Old Fort Erie/ Old Fort Niagara
Wine country excursions
Lake activities
A wide assortment of classes, workshops, special events.
PLAY INFORMATION
www.shawfest.com
TICKET PRICES
Range from $25.00 to $105.00 (Canadian $)
Rush seats are available day of show
There are also excellent student discounts and group rates available
BOX OFFICE
1-800-511-7429
ACCOMODATIONS
NIAGARA-ON-THE-LAKE CHAMBER of COMMERCE RESERVATION SERVICE (CCA) 905-468-1950. In the Court House on Queen Street, Box 1043, Niagara-on-the-Lake L0S 1J0. www.niagaraonthelake.com Reservation service for 1700 plus rooms, representing every hotel and a collection of approved inns, cottages and bed-and-breakfast homes. For a quality experience, let our trained specialists help you select CCA (Chamber of Commerce Approved) accommodation. All price ranges represented.
NIAGARA-ON-THE-LAKE BED and BREAKFAST ASSOCIATION (BBA) 905-468-0123 or 1-866-855-0123. Box 1228, Niagara-on-the-Lake L0S 1J0. www.bba.notl.on.ca Members are identified by BBA in the listings. Call or visit our website for a free availability search or to book online. We maintain high standards and adhere to a code of ethics. Book with a member.
ABOUT HISTORIC BED and BREAKFASTS IN OLD TOWN CENTRE www.historicbb.com These private homes, built before 1850, are within 4 short blocks of a theatre, dining and shops. Visit our website or contact the following homes in the Bed and Breakfast section: Adam Lockhart’s Storrington House, Annette Twining House, Apple Tree Bed and Breakfast, Barrett Cottage, B&B’s “Pacific”, Blaney House, Burns House, Davy House, Regent House, The Rogers-Harrison House, Royal Manor, Saltbox 1820 Cottage, Schoolmaster’s House. Open year-round. Central air. Full breakfasts. Private parking. Smoke-free. All rooms have private ensuite bathrooms. $100-$195.
ACCOMMODATION ALTERNATIVES NIAGARA www.accommodationalternativesniagara.com A fine selection of licensed cottages, apartments and homes in Niagara, suitable to those who prefer privacy and self-catering accommodations. Nightly from $85, weekly from $550.
Watch this space in August for reviews of many of the 2008 productions.
David Grapes has been a theatre producer/director/playwright and freelance theatre journalist for over thirty years. He holds a BA in Theatre from Glenville State College and an MFA in Acting/Directing from the University on North Carolina at Greensboro.
Thoughts on the Stratford Shakespeare Festival/Shaw Festival 2008
By David Grapes – Arts Journalist
April, 2008
Those of you who are passionate about quality theatre here in the U.S. should consider a trip North across the Canadian border into Ontario and spend some serious time exploring North America’s two largest theatre festivals – The Stratford Shakespeare Festival and The Shaw Festival. While the American dollar is near an all time low, the entertainment value when compared to Broadway or London is high. And if you search the web, there are still some excellent airfare deals into Toronto’s Lester B. Pearson airport for about $450.00 to $600.00 from most major US airports. Rental cars are readily available at the Toronto airport. (Try Hotwire.com for the best airport rental rates) Driving time from the airport to either of the two festivals is less than two hours on four lane highways.
The Stratford Festival
Located in the bucolic hills of Southern Ontario in the working class town of Stratford, The Stratford Festival has grown from its humble beginnings in 1953 (two Shakespearean plays produced in a tent) to one of the largest and most respected theatre festivals in the world. Once in financial peril during the late 1980’s, the theatre has enjoyed a remarkable rebound both artistically and financially under the capable stewardship of Richard Monette (who officially retired last year) and Executive Director Antoni Cimolino. Now nearing the completion of a 50 million dollar capital and endowment drive, long time patrons have enjoyed improvements to all four of the Festival’s theatre venues, an upgrade in electronic services, and enhanced production quality on stage. Exciting indeed was the addition of a fourth stage known as the Studio Theatre located above the Avon Theatre. This small flexible space, which opened three years ago, is now home to new work by Canadian playwrights, workshops, and other more experimental productions. However, the Studio Theatre only seats 260 patrons which means that many many theatre goers will be shut out of tickets for Brian Dennehy’s two one act plays unless they purchase their tickets months in advance.
While the spring of 2008 got off to inauspicious start with the resignations of two out of the three artistic triumvirate Don Shipley and Marti Maraden, the lone artistic survivor Des McAnuff seems to be taking the bull by the horns and forging ahead despite all of the negative press.
Variety has always been a hallmark of the Stratford Festival, where works by Shakespeare, Marlowe, Moliere and Ibsen share the stage with Broadway musicals and the comedies of Noel Coward and although Shakespeare will dominate the large Festival Stage and American musicals the Avon stage the 2008 season remains eclectic and engaging. Before their departure Maraden, Shipley along with McAnuff programmed a stunning and visionary season for 2008. We have more Shakespeare than we have seen in years complimented by Shaw, Lope de Vega, Euripides, Beckett, and O’Neil. And while Shipley (who was to direct Dennehy in Krapp’s Last Tape and Hughie) has jumped ship, Maraden (a fine director) remains long enough to stage All’s Well That Ends Well and The Trojan Women. McAnuff, who has been traversing the world staging permutations of the hit Broadway musical Jersey Boys, will somehow find time to not only pick up the artistic pieces but also stage Romeo and Juliet and Caesar and Cleopatra (with Christopher Plummer as perhaps the oldest Caesar on record). Having seen a number of McAnuff’s directorial work at LaJolla and on Broadway, there is no question that he can have flashes of brilliance. However, he was never known in California as a believer in the importance of a true acting ensemble and his hiring of Americans to play pivotal roles like Juliet has already rankled many of the old guard in the acting company. It will be interesting to see if he pursues this course for 2009, or returns to a more tradition approach to hiring the company. Whatever happens, I certainly wish him well. Stratford needs a strong focused artistic leader and the world needs a theatre like Stratford. You can’t run the largest theatre festival in the world from a cell phone or a seat on an airplane.
While the US dollar has suffered this year against the Canadian dollar, this trip remains an outstanding value. With Broadway prices soaring to $100-$200 a ticket, it is hard to imagine that you could get more “bang for your entertainment buck” anywhere in the world than in Ontario, Canada.
SEASON AT A GLANCE
Festival Theatre
Romeo and Juliet – May 26 to November 8
Hamlet – May 27 to October 26
The Taming of the Shrew - May 31 to October 25
All’s Well That Ends Well – June 27 to August 23
Caesar and Cleopatra – August 17 to November 9
Avon Theatre
The Music Man – May 28 to November 1
Cabaret – May 29 to October 25
Emilia Galotti – November 6 to November 9
Tom Patterson Theatre
The Trojan Women – May 30 to October 5
Love’s Labour’s Lost – May 31 to October 4
Fuente Ovejuna – June 27 to October 4
There Reigns Love – July 13 to August 3
Studio Theatre
Krapp’s Last Tape and Hughie – June 28 to August 31
Palmer Park – August 16 to September 21
Moby Dick – August 17 to October 18
Festival Pavilion
Shakespeare’s Universe – July 25 to September 28
David’s recommendations for the 2008 season
Hamlet (starring long time Shaw Festival company member Ben Carlson)
All’s Well That Ends Well (directed by Maraden and starring American theatre icon Brian Dennehy)
The Trojan Woman (starring Martha Henry))
Love’s Labour’s Lost (directed by Richard Monette subbing for the ailing Michael Langham)
Fuente Overjuna (starring Jonathon Goad, Severn Thompson and Scott Wentworth)
ALSO OF INTEREST AT STRATFORD
Family Series Events
Stageside Chats
Festival Tours
Celebrated Writers Series
Night Music – Special concerts each Monday evening June to August in the Festival Theatre
A wide assortment of classes, workshops, special events.
PLAY INFORMATION
www.stratfordfestival.ca
TICKET PRICES
Range from $22.00 to $109.00 (Canadian $)
Rush seats are available day of show
There are also excellent student discounts and group rates available
BOX OFFICE
1-800-567-1600
ACCOMODATIONS
1-800-567-1600
I recommend the Swan Motel
519-271-6376
www.swanmotel.ca
The Shaw Festival
Located in historic Niagara on the Lake (30 miles North of Buffalo 120 Miles South of Toronto) along the beautiful Lake Ontario shoreline The Shaw Festival is the only theatre in the world that specializes exclusively in plays by George Bernard Shaw and his contemporaries. During the last two decades, under the artful and highly creative leadership of director/actor Christopher Newton, the Shaw not only earned a reputation for innovative programming, stunning visuals, but also witnessed Newton assemble one of the finest acting ensembles on the planet.
And while Stratford struggles to find who has a hold of the wheel of the artistic ship at Shaw, Artistic Director Jackie Maxwell (now in her fourth season as Artistic Director) continues to produce excellent work as she explore the Festival’s expanded artistic mandate including newer musicals and American classics.
While the acting ensemble remains strong, Maxwell did lose several of her best actors to Stratford this season. Certainly as issue that will need to be addressed, if she wishes to maintain the festival’s reputation for true ensemble performances. You can’t afford to lose actors like Jim Mezon, Ben Carlson, Nora McLellan and Kelli Fox. Fortunately, at least Mezon is set return to direct An Inspector Calls now that Neil Munro has been taken ill.
Maxwell, who was only partially successful with her staging of Shaw’s Saint Joan last year will tackle Shaw’s more accessible social commentary Mrs. Warren’s Profession and the first Canadian production of Githa (Rutherford and Son) Sowery’s play The Stepmother.
SEASON AT A GLANCE
Festival Theatre
An Inspector Calls – April 17 to November
Wonderful Town – April 1to October 5
Mrs. Warren’s Profession – July 6 to November 1
Follies: The Concert – August 29, September 12 and27, October 4
Royal George Theatre
Getting Married – April 11 to November 1
The Little Foxes – May 3 to November 1
After the Dance – June 25 to October 5
The President – June 7 to October 4 (lunchtime)
Court House Theatre
The Stepmother ¬– April 29 to October 4
A Little Night Music – June 1 to October 4
Belle Moral – July 12 to October 5
David’s recommendations for the 2007 season
An Inspector Calls (Directed by Jim Mezon and starring Benedict Campbell)
Mrs. Warren’s Profession and The Stepmother (Directed by Jackie Maxwell)
Getting Married (Directed by Joseph Ziegler and starring Peter Krantz)
The Little Foxes (Featuring a great ensemble cast)
ALSO OF INTEREST AT OR NEAR THE SHAW FESTIVAL
Bell Canadian Reader’s Series
Niagara Falls
Old Fort Erie/ Old Fort Niagara
Wine country excursions
Lake activities
A wide assortment of classes, workshops, special events.
PLAY INFORMATION
www.shawfest.com
TICKET PRICES
Range from $25.00 to $105.00 (Canadian $)
Rush seats are available day of show
There are also excellent student discounts and group rates available
BOX OFFICE
1-800-511-7429
ACCOMODATIONS
NIAGARA-ON-THE-LAKE CHAMBER of COMMERCE RESERVATION SERVICE (CCA) 905-468-1950. In the Court House on Queen Street, Box 1043, Niagara-on-the-Lake L0S 1J0. www.niagaraonthelake.com Reservation service for 1700 plus rooms, representing every hotel and a collection of approved inns, cottages and bed-and-breakfast homes. For a quality experience, let our trained specialists help you select CCA (Chamber of Commerce Approved) accommodation. All price ranges represented.
NIAGARA-ON-THE-LAKE BED and BREAKFAST ASSOCIATION (BBA) 905-468-0123 or 1-866-855-0123. Box 1228, Niagara-on-the-Lake L0S 1J0. www.bba.notl.on.ca Members are identified by BBA in the listings. Call or visit our website for a free availability search or to book online. We maintain high standards and adhere to a code of ethics. Book with a member.
ABOUT HISTORIC BED and BREAKFASTS IN OLD TOWN CENTRE www.historicbb.com These private homes, built before 1850, are within 4 short blocks of a theatre, dining and shops. Visit our website or contact the following homes in the Bed and Breakfast section: Adam Lockhart’s Storrington House, Annette Twining House, Apple Tree Bed and Breakfast, Barrett Cottage, B&B’s “Pacific”, Blaney House, Burns House, Davy House, Regent House, The Rogers-Harrison House, Royal Manor, Saltbox 1820 Cottage, Schoolmaster’s House. Open year-round. Central air. Full breakfasts. Private parking. Smoke-free. All rooms have private ensuite bathrooms. $100-$195.
ACCOMMODATION ALTERNATIVES NIAGARA www.accommodationalternativesniagara.com A fine selection of licensed cottages, apartments and homes in Niagara, suitable to those who prefer privacy and self-catering accommodations. Nightly from $85, weekly from $550.
Watch this space in August for reviews of many of the 2008 productions.
David Grapes has been a theatre producer/director/playwright and freelance theatre journalist for over thirty years. He holds a BA in Theatre from Glenville State College and an MFA in Acting/Directing from the University on North Carolina at Greensboro.
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