Wednesday, January 15, 2020


2020 Shaw and Stratford Season Previews


Thoughts on the 2020 Seasons at the Stratford Shakespeare Festival and the Shaw Festival

By David Grapes – Arts Journalist

February, 2020

Theatre patrons, who are passionate about quality theatre here in the U.S., should consider a trip North across the Canadian border into Ontario and spend some serious time exploring North America’s two largest theatre festivals – The Stratford Shakespeare Festival and The Shaw Festival. The American dollar remains strong against the Canadian dollar, so the entertainment value when compared to the costs of theatre tickets for Broadway ($200+ average) or in London is high. And if you search the web, there are some excellent airfare deals for the upcoming summer into Toronto’s Lester B. Pearson airport for about $500.00 to $800.00 from most major US airports. Rental cars are readily available at the Toronto airport. Try Hotwire.com for the best airport rental rates. Driving time from the airport to either of the two festivals is less than two hours on four lane highways. Remember – Passports are REQUIRED for any border crossing!

The Shaw Festival

Located in historic Niagara-on-the-Lake (30 miles North of Buffalo, 120 Miles South of Toronto) along the beautiful Lake Ontario shoreline, The Shaw Festival is the only theatre in the world that specializes exclusively in plays by George Bernard Shaw and his contemporaries. During the last three decades, under the artful and highly creative leadership of Christopher Newton and Jackie Maxwell, the Shaw not only earned a reputation for innovative programming and stunning visuals, but also became home to one of the finest acting ensembles in North America. While Tim Carroll, now in his fourth year as Artistic Director, has reduced the size and scope of that ensemble, he has also diversified the organization’s artistic staff, the core acting company and the Shaw’s annual programming.  



For 2020 the Shaw Festival’s ever expanding artistic mandate under Carroll will include three Broadway style musicals (Gypsy, Me & My Girl and Assassins), contemporary plays (The Playboy of the Western World, Desire Under the Elms, and Trouble in Mind), one of Shaw’s comic masterpieces  (The Devil’s Disciple), Brandon Thomas’ classic farce (Charley’s Aunt) and a number of world and Canadian premieres (Prince Caspian and Flush), an innovative collaboration with Toronto’s Why Not Theatre (Mahabharata), plus a remount of the company’s wildly successfull holiday production of A Christmas Carol at the Royal George Theatre and a remount of its 2017 musical comedy hit Me and My Girl on the Festival Stage in November/December. While I for one, would have hoped for at least one additional Shaw play in the season, 2020 certainly promises to be a great summer of professional theatre.



Another exciting development over the past decade has been the addition of an intimate fourth performance venue – The Studio Theatre (which seats just under 200 patrons). With the retirement of the Court House Theatre, more and more work is being programmed into this very audience friendly space. The change in venue was a boon to the senior citizens who always found it quite daunting to traverse the long steep stairs in the old Court House Theatre.



The new facility, which is now known as the Maxwell Studio Theatre, has hosted such diverse productions as Shakespeare’s Henry V, John Osborne’s The Entertainer starring Benedict Campbell, Caryl Churchill’s provocative contemporary play Serious Money, When the Rains Stop Falling, Topdog/Underdog, Helen’s Necklace, The Mountaintop, The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures, Middletown and the 2013 megahit production of Tom Stoppard’s theatrical gem Arcadia, which later transferred to Toronto for an additional run in 2014, August Strindberg masterwork The Dance of Death, which featured the all-world cast of Jim Mezon and Fiona Reid directed by Martha Henry. This year the Maxwell Studio Theatre will again host three productions (The Playboy of the Western World, Desire Under the Elms, and Trouble in Mind).


2020 SHAW SEASON AT A GLANCE

Festival Theatre

Gypsy – April 8 to October 11

The Devil’s Disciple – May 14 to October 9

Sherlock Holmes and the Raven’s Curse – June 21 to October 18

Mahabharata ­– August 15 to September 19

Me and My Girl – November 13 to December 23

Royal George Theatre

Charley’s Aunt – April 2 to October 17

Prince Caspian – April 23 to September 5

Flush – June 5 to October 10

Assassins – July 11 to October 10

A Christmas Carol – November 8 to December 23


Jackie Maxwell Studio Theatre
The Playboy of the Western World – May 6 to September 6

Desire Under the Elms – June 4 to October 10

Trouble in Mind – July 17 to October 10


David’s recommendations for the 2020 season

Gypsy – (Featuring Kate Henning as Mama Rose)

The Devil’s Disciple – (Directed by Eda Holmes)

The Playboy of the Western World – (Starring Moya O’Connell and Fiona Byrne)

Desire Under the Elms – (Starring Tom McCamus and Julia Course)

Me and My Girl – (A remount of the spectacular 2017 production)

 


ALSO OF INTEREST AT OR NEAR THE SHAW FESTIVAL


Secret Theatre (For members of the new Secret Theatre Club)

Reading Series

Pre and Post-show Chats

Beyond the Stage Events

Friends Days

Shaw Conference

Teen Workshops

Summer Camps

Teacher Days

Niagara Falls

Old Fort Erie/ Old Fort Niagara

Wine country excursions

Lake activities

Theatre and Hotel Packages

PLAY INFORMATION


TICKET PRICES

Range from $25.00 CDN (student matinees) to $135.00 CDN


Rush seats are available day of show

$30 rate for patrons under 30 years of age at any theatre

There are also excellent student discounts and group rates available

BOX OFFICE

1-800-511-7429 or 905-468-2172

ACCOMODATIONS
NIAGARA-ON-THE-LAKE CHAMBER of COMMERCE RESERVATION SERVICE (CCA) 905-468-1950. In the Court House on Queen Street, Box 1043, Niagara-on-the-Lake L0S 1J0. www.niagaraonthelake.com Reservation service for 1700 plus rooms, representing every hotel and a collection of approved inns, cottages and bed-and-breakfast homes. For a quality experience, let our trained specialists help you select CCA (Chamber of Commerce Approved) accommodation. All price ranges represented.

NIAGARA-ON-THE-LAKE BED and BREAKFAST ASSOCIATION (BBA) 905-468-0123 or 1-866-855-0123. Box 1228, Niagara-on-the-Lake L0S 1J0. www.bba.notl.on.ca Members are identified by BBA in the listings. Call or visit our website for a free availability search or to book online. We maintain high standards and adhere to a code of ethics. Book with a member.

ABOUT HISTORIC BED and BREAKFASTS IN OLD TOWN CENTRE www.historicbb.com These private homes, built before 1850, are within 4 short blocks of a theatre, dining and shops. Visit our website or contact the following homes in the Bed and Breakfast section: Adam Lockhart’s Storrington House, Annette Twining House, Apple Tree Bed and Breakfast, Barrett Cottage, B&B’s “Pacific”, Blaney House, Burns House, Davy House, Regent House, The Rogers-Harrison House, Royal Manor, Saltbox 1820 Cottage, Schoolmaster’s House. Open year-round. Central air. Full breakfasts. Private parking. Smoke-free. All rooms have private en-suite bathrooms. $125-$225.

ACCOMMODATION ALTERNATIVES NIAGARA www.accommodationalternativesniagara.com A fine selection of licensed cottages, apartments and homes in Niagara, suitable to those who prefer privacy and self-catering accommodations. Nightly from $150, weekly from $1,000.

Check this blog in August for reviews of many of the 2020 Shaw Festival productions.


The Stratford Festival

Located in the bucolic hills of Southern Ontario in the working-class town of Stratford, The Stratford Festival has grown from its humble beginnings in 1953 (two Shakespearean plays produced in a tent) to one of the largest and most respected theatre festivals in the world, now under the capable leadership of Antoni Cimolino.



Having completed a 100 million-dollar capital campaign to build a new Tom Patterson Theatre, long time patrons will now enjoy productions in a brand new state of the art theatre, which opens this July with a production of Richard III starring Colm Feore.



Also exciting has been the addition of a fourth stage known as the Studio Theatre located above the Avon Theatre. This small flexible space, which opened six years ago, is now home to new works by Canadian playwrights, workshops, productions, and Shakespeare.  However, the Studio Theatre only seats 260 patrons, so if you want to see a popular production in the Studio Theatre, you need to purchase your tickets well in advance..



Variety has always been a hallmark of the Stratford Festival, where works by Shakespeare, Marlowe, Moliere and Ibsen share the stage with Broadway musicals and the comedies of Oscar Wilde and Noel Coward and although Shakespeare did not dominate the large Festival Stage under previous Artistic Director Des McAnuff, now that Director Cimolino is entering his eighth season, the Bard has once again returned as the artistic heart of the festival.    



This year Shakespeare lovers will be treated to four productions including Much Ado About Nothing (Graham Abbey and Maev Beaty – under the direction of Chris Abraham), Hamlet, Richard III (Colm Feore, Ben Carlson, Seanna McKenna, Lucy Peacock and Tom Rooney – under the direction of Antoni Cimolino), and All’s Well That Ends Well (Seanna McKenna and Ben Carlson). The 68th season will also feature the festival premier of the popular American musical Monty Python’s Spamalot (Jonathon Goad) on the Festival Stage, while Donna Feore will stage the world premiere of the new musical Here’s What it Takes at the new Tom Patterson Theatre as well as a razzle dazzle rendition of the Kander and Ebb musical Chicago on the Festival stage.



Other gems in the 68th anniversary season include Edward Albee’s brilliant Three Tall Women (Martha Henry, Lucy Peacock and Mamie Zwettler), the world premiere of Morris Panych’s Frankenstein Revisited an adaptation of Moliere’s comedy The Miser, (Colm Feore – directed by Antoni Cimolino), not to mention a production of Wolf Hall (Geraint Wyn Davies and AndrĂ© Sills), and a family friendly production of Wendy and Peter Pan. Add to the mix two contemporary plays, The Rez Sisters and Hamlet-911, at the Studio Theatre, An Undiscovered Shakespeare at the Patterson, and you have 15 amazing reasons to visit North America’s largest theatre festival this summer.



The US dollar has been rising again this year, making the trip an outstanding value for 2020. With Broadway prices soaring to $200-$500+ a ticket, it is hard to imagine that you could get more “bang for your entertainment buck” anywhere in the world than in Ontario, Canada.

STRATFORD SEASON AT A GLANCE


Festival Theatre

Chicago – April 11 to November 1

Hamlet – April 23 to October 25

Much Ado About Nothing – May 7 to October 23

The Miser – August 2 to October 24

Avon Theatre

Wendy and Peter Pan – April 24 to November 1

Monty Python’s Spamalot May 9 to October 25

Wolf Hall – July 28 to October 24

 


Tom Patterson Theatre

Richard III – May 6 to October 23

All’s Well That Ends Well – May 15 to October 24

Here’s What It Takes – June 5 to October 24

Frankenstein Revisited – August 2 to October 22

Tom Patterson Theatre – Lazaridis Hall

An Undiscovered Shakespeare – June 30 to September 18

Studio Theatre
Three Tall Women – May 27 to September 27

The Rez Sisters – July 21 to September 26

Hamlet-911 – August 5 to September 26

David’s recommendations for the 2020 season

Richard III and The Miser (Colm Feore)

Three Tall Woman (Martha Henry and Lucy Peacock)

Wolf Hall (Geraint Wyn Davies and André Sills)

Much Ado About Nothing

Chicago


ALSO OF INTEREST AT STRATFORD

The Festival Forum

Family Series Events

Stageside Chats

Festival Tours

Celebrated Writers Series

Night Music – Special concerts each Monday evening June to August in the Festival Theatre

A wide assortment of classes, workshops, special events.


PLAY INFORMATION

www.stratfordfestival.ca

TICKET PRICES

Range from $19.00 CAN to $200.00+ CAN


Rush seats are available day of show

There are also excellent student discounts and group rates available

BOX OFFICE

1-800-567-1600

Box Office E-Mail
orders@stratfordfestival.ca

ACCOMODATIONS

1-800-567-1600

I recommend the Swan Motel (Downie Street South)

Phone: 519-271-6376

Fax: 519-271-0682




www.swanmotel.ca


Watch my blog in August for reviews of many of the 2020 Stratford Shakespeare Festival productions.
https://canadiantheatrefestivals.blogspot.com/


About the author
David Grapes has been a theatre producer/director/playwright/educator and freelance theatre journalist for over forty years. Now an Emeritus Professor of Theatre at the University of Northern Colorado, David holds a BA in Theatre from Glenville State College and an MFA in Acting/Directing from the University of North Carolina at Greensboro. You can also read his theatre reviews on Facebook at https://www.facebook.com/TheatreNewsandReviews?ref=br_tf or follow him on Instagram @theatredavid or on Twitter @davidgrapes. Grapes also served as the Artistic Director of TN Rep from 1999 to 2004. Since 2000, his musicals, plays, and Shakespeare adaptations have received over 500 productions world-wide. David has been privileged to attend over 700 productions at the Shaw Festival and the Stratford Festival since he first attended the Ontario festivals in the year1978.

Friday, October 4, 2019


2019 Shaw Festival Reviews
By David Grapes

Must See Productions:

Man and Superman with Don Juan in Hell **** Four Stars!

The “life force” flows with the powerful energy of the mighty Niagara River through this terrific production of Shaw’s masterwork Man and Superman @ShawTheatre. Gray Powell as Jack Tanner anchors the superb acting ensemble in the MUST SEE production of 2019.

Brigadoon **** Stars!

Director Glynis Leyshon’s production of Brigadoon @ShawTheatre has everything a great musical needs to entertain an audience. The design work is gorgeous, the voices powerful and clear, the dances breathtaking and the orchestration lush. Another MUST SEE for 2019.

The Glass Menagerie **** Stars!

The Glass Menagerie @ShawTheatre is a beautiful production full of laughter, truth, forgiveness and grace. Led by an exquisitely nuanced performance by Allegra Fulton as Amanda the entire cast shines like a piece Laura’s crystal in this familiar Williams classic.

The Russian Play **** Stars!

Hannah Moscovitch’s The Russian Play @ShawTheatre is an exhilarating mash up of Chekhov, Durang, Glass, and Pussy Riot. The comedy/drama runs dark and deep, the visuals and live music are emotionally evocative, and the ensemble performances beautifully grounded. **** 4 Stars!

Highly Recommended:

The Ladykillers ***1/2 Stars!

Based on the original Ealing Studios film, The Ladykillers @ShawTheatre is a delightfully wicked evening’s entertainment. Aided by a brilliant set design from Judith Bowden this farce is chock full of goofy characters, broad physical humor and marvelous sight gags

Sex *** 1/2 Stars!

Mae West’s B level script “Sex” gets an A level production @ShawTheatre via a provocative, gender bending and highly innovative production by Peter Hinton-Davis.

Getting Married *** Stars!

Shaw has a lot to say on the subject of Getting Married @ShawTheatre. And if you can get through the exposition heavy first act, there is a big payoff in act two with the entrance of the vivacious Marla McLean, who gives this production a much needed kick in the pants.

Not recommended:

Cyrano de Bergerac ** 1/2 Stars!

While serviceable Cyrano @ShawTheatre lacks the magic and poetry of the 82/83 Heath Lamberts production. One could blame the cramped George stage or odd casting choices, however, the real culprit is Henning’s new adaptation, which never illuminated the classic text.

Victory ** Stars!

Remove the profanity, sex and violence from Howard Barker’s provocative and controversial play Victory @ShawTheatre and I am afraid that the audience is left with the widow Bradshaw’s proverbial bag of bones. Great talent wasted on a play that simply doesn’t deserve it.

Rope * Star!

I knew I was in for a rough night at Rope @ShawTheatre when the program notes were much more interesting than the first act. Blame a melodramatic script by Patrick Hamilton and uninspired direction by Jani Lauzon that even the Shaw’s fine actors can’t bring to life.

Did Not See:

The Horse and His Boy – Ended
A Christmas Carol – November 13 to December 22, 2019
Holiday Inn – November 16 to December 22, 2019


Coming in February my preview of the 2020 Shaw Festival Season!



2019 Tickets and Information at: https://www.shawfest.com/


2019 Stratford Shakespeare Festival Reviews
By David Grapes

Must See Productions:

Little Shop of Horrors ! **** Stars!

While it may not have the audience draw of last season’s Rocky Horror, Little Shop of Horrors @stratfest gets another top drawer treatment from Donna Feore. A stunning performance from AndrĂ© Morin as Seymour, and the triple threat ensemble make this LIttle Shop a must see!

The Merry Wives of Windsor **** Stars!

Geraint Wyn Davies as Falstaff provides a tour de force lesson in comic timing in the @stratfest production of The Merry Wives of Windsor. @acimolino_sf 1950’s rock and roll concept is colorful, stylish, fun, and chock full of belly laughs.

The Front Page *** 1/2 Stars!

Canadian Playwright Michael Healey’s new adaptation of The Front Page @stratfest breathes new comic life and social/political relevance into a piece that sorely needs it. While the play may start slowly, it builds to a a crackling climax led by the marvelous Maev Beaty in a real star turn as Cookie Burns.

Birds of a Feather ***1/2 Stars.

There is nothing wrong with Birds of a Kind @stratfest that 30 minutes of script cuts would not fix. The characters are unique, the premise unusual and the message current and important. At 3 hours plus, the play is simply too long and too repetitive.

Private Lives *** Stars!

Private Lives @stratfest is undeniably funny. However, much of that humor comes not from Coward’s brilliant script but from physical business either created or endorsed by Director Perloff. Wyn Davies is a hoot but is it Coward? Does it matter if the audience is howling? *** Three Stars!

Highly Recommended:

Mother’s Daughter *** Stars!

Completing Kate Henning’s trilogy Mother’s Daughter @stratfest, we have the last case of the terrible Tudors. While Mary is the primary focus of this final play, Irene Poole, as she did in Henry VIII, dominates every scene she’s in as the now ghost Queen Katherine. *** Three Stars!

Henry VIII *** Stars!

There is much to admire in director Martha Henry’s production of Henry VIII @stratfest. The play is well spoken and expertly staged. However, while Jonathan Goad as Henry and Irene Poole as Queen Katherine electrify every scene in which they appear, Rod Beattie is embarrassing miscast as Cardinal Woolsey. I found him cartoonish, too modern in speech, and difficult to take seriously. I guess I missed hearing the voice of the late great William Hutt from 2004 production in my ear. Still I enjoyed the production and my evening spent in Henry’s court.

The Neverending Story *** Stars!

Books are never easy to adapt for the stage and Michael Ende’s 1984 surreal children’s novel The Neverending Story @stratfest is no exception. Short on drama and character development the play is long on social effects and features some beautiful puppetry work.

The Crucible *** Stars!

While there are undoubtedly some strong performances in this traditional Crucible @stratfest the real star of this production is playwright Miller himself. Yes, I wanted and expected more from Tim Campbell as John Proctor, however, the play’s themes language and poetry remain as powerful as ever.

Not Recommended:

Billy Elliot ** 1/2 Stars!

As much as I was predisposed to like Billy Elliot @stratfest I was never emotionally engaged by this production or the boy playing young Billy. I found it over produced, strangely under choreographed and I was constantly confused by the odd mix of acting styles.

Nathan the Wise ** 1/2 Stars! 

A Jewish parable more than a play, I found Nathan the Wise @stratfest too predictable for my taste. The characters tend toward stereotypes and the story plods along without any real conflict or suspense. Nothing really seems to be at stake for these people.

Othello **1/2 Stars!

There is a serious lack of passion and even less sexual chemistry on display in @stratfest contemporary Othello. I found it dark, ugly and without any majesty. Geordie Miller has a few nice moments as Iago but the same cannot be said for Michael Blake in the pivotal title role.

Coming this January/February my preview of the 2019 Stratford Shakespeare Festival season!



Tickets and Information at: www.stratfordfestival.ca



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Saturday, January 12, 2019


2019 Shaw and Stratford Season Previews

Thoughts on the 2019 Seasons at the Stratford Shakespeare Festival and the Shaw Festival!

By David Grapes – Arts Journalist
February, 2019

Theatre patrons, who are passionate about quality theatre here in the U.S., should consider a trip North across the Canadian border into Ontario and spend some serious time exploring North America’s two largest theatre festivals – The Stratford Shakespeare Festival and The Shaw Festival. The American dollar appears to have stabilized against the Canadian dollar, so the entertainment value when compared to the costs of theatre tickets for Broadway ($150+ average) or in London is high. And if you search the web, there are some excellent airfare deals for the upcoming summer into Toronto’s Lester B. Pearson airport for about $500.00 to $800.00 from most major US airports. Rental cars are readily available at the Toronto airport. (Try Hotwire.com for the best airport rental rates) Driving time from the airport to either of the two festivals is less than two hours on four lane highways. Remember – Passports are now REQUIRED for any border crossing!

The Shaw Festival

Located in historic Niagara-on-the-Lake (30 miles North of Buffalo, 120 Miles South of Toronto) along the beautiful Lake Ontario shoreline, The Shaw Festival is the only theatre in the world that specializes exclusively in plays by George Bernard Shaw and his contemporaries. During the last three decades, under the artful and highly creative leadership of Christopher Newton and Jackie Maxwell, the Shaw not only earned a reputation for innovative programming and stunning visuals, but also became home to one of the finest acting ensembles in North America. Tim Carroll, now in his third year as Artistic Director, has planned a season that will appeal to both the Shaw’s more traditional stalwarts as well as the newer audience that he has been cultivating for the past two seasons.



For 2019 the Shaw Festival’s ever expanding artistic mandate under Carroll will include two Broadway style musicals (Brigadoon and Holiday Inn), contemporary plays (The Glass Menagerie and Rope, Sex, Victory), three Shaw offerings (Man and Superman with Don Juan in Hell and Getting Married) Edmund Rostand’s masterpiece (Cyrano de Bergerac) and number of world and Canadian premieres (The Horse and His Boy and The Ladykillers) plus a remount of the company’s wildly success holidy production of A Christmas Carol at the Royal George Theatre. I for one find it to be a very diverse, eclectic and daring season that expands the Shaw’s mandate without exploiting it. Well done Mr. Carroll.



Another exciting development over the past nine years has been the addition of an intimate fourth performance venue – The Studio Theatre (which seats just under 200 patrons). With the retirement of the Court House Theatre last year, more and more work is being programmed into this very audience friendly space. The change in venue was a boon to the senior citizens last season who often found it quite daunting to traverse the long steep stairs in the old Court House Theatre.



The new facility, which is now known as the Maxwell Studio Theatre, has hosted such diverse productions as Shakespeare’s Henry V, John Osborne’s The Entertainer starring Benedict Campbell, Caryl Churchill’s provocative contemporary play Serious Money, When the Rains Stop Falling, Topdog/Underdog, Helen’s Necklace, The Mountaintop, The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures, Middletown and the 2013 megahit production of Tom Stoppard’s theatrical gem Arcadia, which later transferred to Toronto for an additional run in 2014, August Strindberg masterwork The Dance of Death which featured the all-world cast of Jim Mezon and Fiona Reid directed by Martha Henry. The change in venue will certainly be a boon to the senior citizens, who often found it quite daunting to traverse the long steep stairs in the old Court House Theatre. This year the Maxwell Studio Theatre will again host three productions (The Glass Menagerie, Sex, and Victory).

2018 SHAW SEASON AT A GLANCE

Festival Theatre

The Horse and His Boy – April 6 to July 21

Brigadoon – May 5 to October 13

The Ladykillers – June 11 to October 12

Man and Superman – August 17 to October 5

    with 17 performances of Don Juan in Hell

Holiday Inn – November 16 to December 22

Royal George Theatre

Rope – April 12 to October 12

Getting Married – May 10 to October 13

The Russian Play – June 8 to October 12

Cyrano de Bergerac – July 27 to October 20

A Christmas Carol – November 13 to December 22

Jackie Maxwell Studio Theatre

The Glass Menagerie – May 22 to October 12

Sex – June 21 to October 13

Victory – July 14 to October 12

David’s recommendations for the 2019 season

The Ladykillers – (Directed by Tim Carroll)

Man and Superman – (Starring Gray Powell and Sara Topham)

Getting Married – (Starring Martin Happer)

Cyrano de Bergerac – (Starring Tom Rooney)

Sex – (Directed by Peter Hinton)

 

ALSO OF INTEREST AT OR NEAR THE SHAW FESTIVAL


Secret Theatre (For members of the new Secret Theatre Club)
Reading Series

Pre and Post-show Chats

Beyond the Stage Events

Friends Days

Shaw Conference

Teen Workshops

Summer Camps

Teacher Days

Niagara Falls

Old Fort Erie/ Old Fort Niagara

Wine country excursions

Lake activities

Theatre and Hotel Packages

PLAY INFORMATION


TICKET PRICES

Range from $25.00 CDN (student matinees) to $240.00 CDN (Mythos)


Rush seats are available day of show

$30 rate for patrons under 30 years of age at any theatre

There are also excellent student discounts and group rates available

BOX OFFICE

1-800-511-7429 or 905-468-2172

ACCOMODATIONS

NIAGARA-ON-THE-LAKE CHAMBER of COMMERCE RESERVATION SERVICE (CCA) 905-468-1950. In the Court House on Queen Street, Box 1043, Niagara-on-the-Lake L0S 1J0. www.niagaraonthelake.com Reservation service for 1700 plus rooms, representing every hotel and a collection of approved inns, cottages and bed-and-breakfast homes. For a quality experience, let our trained specialists help you select CCA (Chamber of Commerce Approved) accommodation. All price ranges represented.

NIAGARA-ON-THE-LAKE BED and BREAKFAST ASSOCIATION (BBA) 905-468-0123 or 1-866-855-0123. Box 1228, Niagara-on-the-Lake L0S 1J0. www.bba.notl.on.ca Members are identified by BBA in the listings. Call or visit our website for a free availability search or to book online. We maintain high standards and adhere to a code of ethics. Book with a member.

ABOUT HISTORIC BED and BREAKFASTS IN OLD TOWN CENTRE www.historicbb.com These private homes, built before 1850, are within 4 short blocks of a theatre, dining and shops. Visit our website or contact the following homes in the Bed and Breakfast section: Adam Lockhart’s Storrington House, Annette Twining House, Apple Tree Bed and Breakfast, Barrett Cottage, B&B’s “Pacific”, Blaney House, Burns House, Davy House, Regent House, The Rogers-Harrison House, Royal Manor, Saltbox 1820 Cottage, Schoolmaster’s House. Open year-round. Central air. Full breakfasts. Private parking. Smoke-free. All rooms have private en-suite bathrooms. $125-$225.

ACCOMMODATION ALTERNATIVES NIAGARA www.accommodationalternativesniagara.com A fine selection of licensed cottages, apartments and homes in Niagara, suitable to those who prefer privacy and self-catering accommodations. Nightly from $150, weekly from $1,000.
Check this blog in August for reviews of many of the 2019 Shaw Festival productions.

The Stratford Festival

Located in the bucolic hills of Southern Ontario in the working-class town of Stratford, The Stratford Festival has grown from its humble beginnings in 1953 (two Shakespearean plays produced in a tent) to one of the largest and most respected theatre festivals in the world, now under the capable leadership of Antoni Cimolino.



Having completed a 50 million-dollar capital and endowment drive a few years back, long time patrons now enjoy improvements at all four of the Festival’s theatre venues, upgraded electronic services, and enhanced production quality on stage.  Exciting indeed has been the addition of a fourth stage known as the Studio Theatre located above the Avon Theatre. This small flexible space, which opened six years ago, is now home to new works by Canadian playwrights, workshops, productions, and for the first time in its short history – Shakespeare.  However, the Studio Theatre only seats 260 patrons, so if you want to see a popular production in the Studio Theatre, you need to purchase your tickets well in advance. That will be especially true this year as the Tom Patterson Theatre remains closed to make way for the construction of an entirely new state of the art performance facility that is set to open for the 2020 season.



Variety has always been a hallmark of the Stratford Festival, where works by Shakespeare, Marlowe, Moliere and Ibsen share the stage with Broadway musicals and the comedies of Oscar Wilde and Noel Coward and although Shakespeare did not dominate the large Festival Stage under previous Artistic Director Des McAnuff, now that Director Cimolino is entering his seventh season, the Bard has once again returned as the artistic heart of the festival and will dominate the Festivals large Festival Theatre mainstage again in 2019.



This year Shakespeare lovers will be treated to three productions including Othello (Michael Blake, Laura Condlin, Gordon S. Miller – under the direction of Nigel Shawn Williams), The Merry Wives of Windsor (Geraint Wyn Davies, Sophia Walker, Bridgit Wilson, Graham Abby, Lucy Peacock – under the direction of Antoni Cimolino) and Henry VIII (Johnathan Goad). The 67th season will also feature the festival premier of the popular American musical Billy Elliot (directed and choreographed by Donna Feore) on the Festival Stage while the campy Off-Broadway hit musical Little Shop of Horrors, will hope to catch the same audience attendance fire as last season’s mega hit The Rocky Horror Picture Show did at the Avon Theatre.



Other gems in the 67th anniversary season include Arthur Miller’s masterwork The Crucible, a timely production of the Hecht and MacArthur political comedy The Front Page, (Ben Carlson – directed by Graham Abbey), not to mention a production of Private Lives (Lucy peacock, Geraint Wyn Davies), Mother’s Daughter a new play by Kate Henning, and a family friendly production of The Never Ending Story! Add to the mix two contemporary plays at the Studio Theatre and you have 12 amazing reasons to visit North America’s largest theatre festival this summer.



The US dollar has fluctuated in recent years against the Canadian dollar and it has been rising again this year, making the trip an outstanding value for 2019. With Broadway prices soaring to $175-$500+ a ticket, it is hard to imagine that you could get more “bang for your entertainment buck” anywhere in the world than in Ontario, Canada.

STRATFORD SEASON AT A GLANCE

Festival Theatre

Othello – May 3 to October 27

Billy Elliot – April 16 to November 3

The Merry Wives of Windsor – May 11 to October 26

The Front Page – July 30 to October 25

Avon Theatre

Private Lives – April 24 to October 26

Little Shop of Horrors April 29 to November 2

The Neverending Story – May 16 to November 3

The Crucible – August 1 to October 25

 

Tom Patterson Theatre
No productions until the new theatre is completed in 2020

Studio Theatre

Henry VIII – May 8 to October 12

Mothers Daughter – May 18 to October 13

Nathan the Wise – May 25 to October 11

Birds of a Kind – July 30 to October 13

David’s recommendations for the 2019 season

Merry Wives of Windsor (Directed by Antoni Cimolino)

Billy Elliot

The Front Page (starring Ben Carlson)

Private Lives (starring Lucy Peacock and Geraint Wyn Davies)

Henry VIII (starring Jonathan Goad)

ALSO OF INTEREST AT STRATFORD

The Festival Forum

Family Series Events

Stageside Chats

Festival Tours

Celebrated Writers Series

Night Music – Special concerts each Monday evening June to August in the Festival Theatre

A wide assortment of classes, workshops, special events.

PLAY INFORMATION

www.stratfordfestival.ca

TICKET PRICES

Range from $19.00 CAN to $181.00 CAN


Rush seats are available day of show

There are also excellent student discounts and group rates available

BOX OFFICE

1-800-567-1600

Box Office E-Mail
orders@stratfordfestival.ca

ACCOMODATIONS

1-800-567-1600

I recommend the Swan Motel (Downie Street South)

Phone: 519-271-6376

Fax: 519-271-0682




www.swanmotel.ca



Watch my blog in August for reviews of many of the 2019 Stratford Shakespeare Festival productions.
https://canadiantheatrefestivals.blogspot.com/

David Grapes has been a theatre producer/director/playwright/educator and freelance theatre journalist for over forty years. He holds a BA in Theatre from Glenville State College and an MFA in Acting/Directing from the University of North Carolina at Greensboro. You can also read his theatre reviews on Facebook at https://www.facebook.com/TheatreNewsandReviews?ref=br_tf or follow him on Instagram @theatredavid or on Twitter @davidgrapes. Grapes also served as the Artistic Director of TN Rep from 1999 to 2004. He has been privileged to attend nearly 700 productions at Shaw and Stratford since 1978.

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